Художница Бриттни Ли про разработку Ледяного дворца
английский текст + большие картинкиI was so lucky to be able to touch many different aspects of the film. This one, though - she is very near and dear to my heart. The more Elsa's character evolved, the more I felt like I was looking in a mirror. While I can (and probably will) go into more detail about the eerie similarities between the lives of the sisters of Arendelle and the Lee sisters, the thing that really hit home for me immediately was this: Elsa is an artist. She expresses herself through creation.
Well, hey! I know that girl.
This characteristic presented an interesting problem. Not only did we need to design Elsa and the world around her, but we needed to design what she would design. Just like her character, this visual language evolved over time, eventually settling on a lyrical rosemaling-inspired treatment for her magic and a sharp-yet-delicate snowflake-inspired treatment for her final creations. I had the great pleasure of working on the interior of the Ice Palace, where a few of these principles went into play.
These are a few of the pieces I did while working on the palace - This first one was done before we figured out the rules of Elsa's design language. It is ethereal for sure, but not quite right for her.
The rest of these pieces actually reflect the final design. The snowflake was the key to this world: once we started to base the design around her snowflake (specifically the one on the floor) , the palace was able to grow like snow/ice crystals around her.
@темы:
Эльза,
Арт,
Спасибо интернету за наше счастливое детство
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23.02.2014 в 00:22-
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23.02.2014 в 00:30